Showing posts with label Easter. Show all posts
Showing posts with label Easter. Show all posts

Monday, April 25, 2011

Nothing Else Matters

I heard a sermon this weekend that rocked my thoughts. Being Easter weekend, you might imagine the sermon had something to do with the plan of salvation, Christ's death and resurrection. Of course you'd be right. Among the many standout things Randy Roberts, the speaker, shared were some of his favorite quotes about the importance of this plan of salvation. One of them has stuck in my mind and rolled around consciously and subconsciously ever since. Grant it, it's not been that long, but long enough to make a fairly deep impact. It goes something like this:

If the plan of salvation isn't real, then nothing else matters. If it is real, then nothing else matters.

Thinking about this over the weekend, I have been overwhelmed by the amazing love and sacrifice of this gift of salvation. I went to a church I'd never gone to before because one of my students was being baptized. At the end of the service, which was a blessing all by itself, I had the privilege and joy of singing Gilbert Martin's arrangement of "When I Survey the Wondrous" cross. the choir director just called people out from the congregation to sing this beautiful hymn and I all but ran up to sing with them. It was the most glorious way to end the day.

When I survey the wondrous cross
On which the Prince of Glory died;
My richest gain I count but loss,
And pour contempt on all my pride.

Forbid it, Lord, that I should boast,
Save in the death of Christ, my God;
All the vain things that charm me most,
I sacrifice them to His blood.

See from His head, His hands, His feet,
Sorrow and love flow mingled down.
Did e'er such love and sorrow meet
Or thorns compose so rich a crown.

Were the whole realm of nature mine
That were a present far too small;
Love so amazing, so divine,
Demands my soul, my life, my all.

Friday, April 02, 2010

At the Cross

My father is a violinist. He's many other things--an educator (principal at GBA in the 70s!), a theologian, a carpenter, a gardener, a philosopher--but at heart he's a musician, and a pretty good one at that. When he was in high school, he had hopes of being a concert violinist, or at the very least a professional orchestral player. But then he went to college and God called him to the ministry--both pastoral and teaching. Growing up, I heard him play many times--all kinds of classical music. But my favorite memories of him playing are of when he'd play for church, always just a simple hymn. He wanted to reach out to everyone with his music and hymns, for him, did that. Hymns like "Face to Face with Christ my Saviour" and "Into the Woods my Master Went" and "O Sacred Head Now Wounded" were among his favorites. Hearing them played under his skillful hands made them my favorites as well, especially after I looked the words up in the hymnal and realized the impact of what he was playing.

Every year at this time, I am drawn to the music of the time. The hymns my father put into my mental iTouch always start to play in my mind and take hold of my heart, especially Paul Gerhardt's setting of the ancient Latin hymn "Oh Sacred Head Now Wounded":

O sacred Head, now wounded,
with grief and shame weighed down,

Now scornfully surrounded
with thorns, Thine only crown;

How pale Thou art with anguish,
with sore abuse and scorn!

How does that visage languish,
which once was bright as morn!
What Thou, my Lord, hast suffered,
was all for sinners’ gain;

Mine, mine was the transgression,
but Thine the deadly pain.

Lo, here I fall, my Savior!
’Tis I deserve Thy place;

Look on me with Thy favor,
vouchsafe to me Thy grace.

This week, as those words swirled through my head, the images they created jammed up my heart and made me grateful anew for what my Saviour actually did for me. They also brought to mind another, related hymn, "At the Cross":

Alas, and did my Savior bleed,
And did my Sov'reign die?
Would He devote that sacred head
For such a worm as I?
Chorus:
At the cross, at the cross
Where I first saw the light,
And the burden of my heart rolled away
It was there by faith I received my sight,
And now I am happy all the day!
Was it for crimes that I had done
He groaned upon the tree?
Amazing pity, grace unknown,
And love beyond degree!

So, what, then, does it mean to me that Jesus became a human being and lived as a man for 33 years and then died for me? A man that got hungry, tired, thirsty? A man who had intense feelings? A man who knew temptation? Does all of that really affect my life today? What difference does it make? Well, for me, Jesus’ life means four things:
1. He provides atonement. Since Adam and Eve chose sin, with its penalty of separation from God, only Jesus, according to the preconceived plan, could pay the penalty and thus change the consequences of that sin. The man Jesus provided atonement--at-one-ment—and restored harmony between man and God.
2. I better understand God. To face Satan’s accusations about God and His character, to bridge the distance resulting from sin, to heal misunderstandings likely in that relation-ship, God chose to give the watching world, and me, a living example of what He was really like. Jesus went beyond telling to show me what His Father was like. How could I love or serve some impersonal, cosmic force? But now, I see God Himself through the life and person of His Son.
3. He better understands me. Because I am convinced that He has felt my pain, I will more easily turn to Him for encouragement or forgiveness, confident that He will care, He will sympathize, He will understand.
4. He provides a pattern, a role model. As a person subject to pressure, bound by time, plagued at times by fatigue, I carefully watch Jesus’ life for His responses. And I see unqualified love (John 15:12), unhurried purpose (John 12:27), constant dependence (John 5:19), and responsive obedience (John 14:31). What a contrast to my self-centeredness, independence and defensive-ness!
The words and music of Easter encourage me to look at Christ’s life on earth which, in turn, shows me that what God expects of me is not impossible. Someone else has gone before me and shown me the way. Because of His life, I know how to live my life. Because of His struggles, I know how to get through my struggles. Because of His earthly death, I have the promise of eternal life. And so do you.

Sunday, March 23, 2008

When I Survey the Wondrous Cross

One of my all-time favorite hymns is When I Survey the Wondrous Cross. I've sung it in church and in choirs numerous times. I've also played the orchestral accompaniment numerous times as well. I find the words overwhelming sometimes, just thinking about what it all means.

This week, my nephew played in the orchestra that accompanied three choirs singing for the Easter service at the College Church at my alma mater. I went with my sister to hear him. Imagine my delight to see that hymn on the program. I could hardly wait to hear it. I just love the words, especially the third verse.

When I survey the wondrous cross
On which the prince of glory died,
My richest gain I count but loss,
And pour contempt on all my pride.

Forbid it Lord that I should boast,
Save in the death of Christ my God!
All the vain things that charm me most,
I sacrifice them to His blood.

See from His hands, His head, His feet,
Sorrow and love flow mingled down!
Did e'er such love and sorrow meet,
Or thorns compose so rich a crown?

Where the whole realm of nature mine,
That were a present far too small;
Love so amazing, so divine,
Demands my life, my soul, my all.

--IsaacWatts, 1707

The Selah Publishing company website offers this History of the Hymn:
"Isaac Watts first published "When I Survey the Wondrous Cross" in his Hymns and Spiritual Songs (1707). Designated a communion hymn, it appeared under the heading "Crucifixion to the World by the Cross of Christ; Gal. 6:14." One of the first English-language hymns to use the word "I" and to focus directly on personal religious experience, "When I Survey" holds an important place in the history of hymnody. It offers an example of how Watts, sometimes called the father of English hymnody, enlarged the boundaries of English sacred song beyond the metrical psalms to include freer verse that readily lent itself to new musical settings. Watts fused two traditions of sacred song that had been developing side-by-side-metrical psalms and hymns-in texts characterized by unusual clarity and force in the choice of words."

Photo: from Snapshots of Joy graphics